The Octopus

by Frank Norris

Frank Norris classic 1901 novel was loosely based on the 1880 Mussel Slough massacre when a gun fight erupted between farmers and several railroad agents accompanied by the local sheriff.  The battle itself became a symbol of the statewide battle waged between farmers and the railroad over economic and political influence.  Norris' provides a damning anti-corporate interpretation of the railroad - one that most historians followed until recently.

By now, however, it was dark. Presley hurried forward. He came to the line fence of the Quien Sabe ranch. Everything was very still. The stars were all out. There was not a sound other than the de Profundis, still sounding from very far away. At long intervals the great earth sighed dreamily in its sleep. All about, the feeling of absolute peace and quiet and security and untroubled happiness and content seemed descending from the stars like a benediction. The beauty of his poem, its idyl, came to him like a caress; that alone had been lacking. It was that, perhaps, which had left it hitherto incomplete. At last he was to grasp his song in all its entity.

But suddenly there was an interruption. Presley had climbed the fence at the limit of the Quien Sabe ranch. Beyond was Los Muertos, but between the two ran the railroad. He had only time to jump back upon the embankment when, with a quivering of all the earth, a locomotive, single, unattached, shot by him with a roar, filling the air with the reek of hot oil, vomiting smoke and sparks; its enormous eye, cyclopean, red, throwing a glare far in advance, shooting by in a sudden crash of confused thunder; filling the night with the terrific clamour of its iron hoofs.

Abruptly Presley remembered. This must be the crack passenger engine of which Dyke had told him, the one delayed by the accident on the Bakersfield division and for whose passage the track had been opened all the way to Fresno.

Before Presley could recover from the shock of the irruption, while the earth was still vibrating, the rails still humming, the engine was far away, flinging the echo of its frantic gallop over all the valley. For a brief instant it roared with a hollow diapason on the Long Trestle over Broderson Creek, then plunged into a cutting farther on, the quivering glare of its fires losing itself in the night, its thunder abruptly diminishing to a subdued and distant humming. All at once this ceased. The engine was gone.

But the moment the noise of the engine lapsed, Presley--about to start forward again--was conscious of a confusion of lamentable sounds that rose into the night from out the engine's wake. Prolonged cries of agony, sobbing wails of infinite pain, heart- rending, pitiful.

The noises came from a little distance. He ran down the track, crossing the culvert, over the irrigating ditch, and at the head of the long reach of track--between the culvert and the Long Trestle--paused abruptly, held immovable at the sight of the ground and rails all about him.

In some way, the herd of sheep--Vanamee's herd--had found a breach in the wire fence by the right of way and had wandered out upon the tracks. A band had been crossing just at the moment of the engine's passage. The pathos of it was beyond expression. It was a slaughter, a massacre of innocents. The iron monster had charged full into the midst, merciless, inexorable. To the right and left, all the width of the right of way, the little bodies had been flung; backs were snapped against the fence posts; brains knocked out. Caught in the barbs of the wire, wedged in, the bodies hung suspended. Under foot it was terrible. The black blood, winking in the starlight, seeped down into the clinkers between the ties with a prolonged sucking murmur.

Presley turned away, horror-struck, sick at heart, overwhelmed with a quick burst of irresistible compassion for this brute agony he could not relieve. The sweetness was gone from the evening, the sense of peace, of security, and placid contentment was stricken from the landscape. The hideous ruin in the engine's path drove all thought of his poem from his mind. The inspiration vanished like a mist. The de Profundis had ceased to ring.

He hurried on across the Los Muertos ranch, almost running, even putting his hands over his ears till he was out of hearing distance of that all but human distress. Not until he was beyond ear-shot did he pause, looking back, listening. The night had shut down again. For a moment the silence was profound, unbroken.

Then, faint and prolonged, across the levels of the ranch, he heard the engine whistling for Bonneville. Again and again, at rapid intervals in its flying course, it whistled for road crossings, for sharp curves, for trestles; ominous notes, hoarse, bellowing, ringing with the accents of menace and defiance; and abruptly Presley saw again, in his imagination, the galloping monster, the terror of steel and steam, with its single eye, cyclopean, red, shooting from horizon to horizon; but saw it now as the symbol of a vast power, huge, terrible, flinging the echo of its thunder over all the reaches of the valley, leaving blood and destruction in its path; the leviathan, with tentacles of steel clutching into the soil, the soulless Force, the iron- hearted Power, the monster, the Colossus, the Octopus.

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How long must it go on? How long must we suffer? Where is the end; what is the end? How long must the iron-hearted monster feed on our life's blood? How long must this terror of steam and steel ride upon our necks? Will you never be satisfied, will you never relent, you, our masters, you, our lords, you, our kings, you, our task-masters, you, our Pharoahs. Will you never listen to that command 'Let my people go'? Oh, that cry ringing down the ages. Hear it, hear it. It is the voice of the Lord God speaking in his prophets. Hear it, hear it--'Let My people go!' Rameses heard it in his pylons at Thebes, Caesar heard it on the Palatine, the Bourbon Louis heard it at Versailles, Charles Stuart heard it at Whitehall, the white Czar heard it in the Kremlin,--'Let my people go.' It is the cry of the nations, the great voice of the centuries; everywhere it is raised. The voice of God is the voice of the People. The people cry out 'Let us, the People, God's people, go.' You, our masters, you, our kings, you, our tyrants, don't you hear us? Don't you hear God speaking in us? Will you never let us go? How long at length will you abuse our patience? How long will you drive us? How long will you harass us? Will nothing daunt you? Does nothing check you? Do you not know that to ignore our cry too long is to wake the Red Terror? Rameses refused to listen to it and perished miserably. Caesar refused to listen and was stabbed in the Senate House. The Bourbon Louis refused to listen and died on the guillotine; Charles Stuart refused to listen and died on the block; the white Czar refused to listen and was blown up in his own capital. Will you let it come to that? Will you drive us to it? We who boast of our land of freedom, we who live in the country of liberty?

Go on as you have begun and it will come to that. Turn a deaf ear to that cry of 'Let My people go' too long and another cry will be raised, that you cannot choose but hear, a cry that you cannot shut out. It will be the cry of the man on the street, the 'a la Bastille' that wakes the Red Terror and unleashes Revolution. Harassed, plundered, exasperated, desperate, the people will turn at last as they have turned so many, many times before. You, our lords, you, our task-masters, you, our kings; you have caught your Samson, you have made his strength your own. You have shorn his head; you have put out his eyes; you have set him to turn your millstones, to grind the grist for your mills; you have made him a shame and a mock. Take care, oh, as you love your lives, take care, lest some day calling upon the Lord his God he reach not out his arms for the pillars of your temples."

They own us, these task-masters of ours; they own our homes, they own our legislatures. We cannot escape from them. There is no redress. We are told we can defeat them by the ballot-box. They own the ballot-box. We are told that we must look to the courts for redress; they own the courts. We know them for what they are,--ruffians in politics, ruffians in finance, ruffians in law, ruffians in trade, bribers, swindlers, and tricksters. No outrage too great to daunt them, no petty larceny too small to shame them; despoiling a government treasury of a million dollars, yet picking the pockets of a farm hand of the price of a loaf of bread.

They swindle a nation of a hundred million and call it Financiering; they levy a blackmail and call it Commerce; they corrupt a legislature and call it Politics; they bribe a judge and call it Law; they hire blacklegs to carry out their plans and call it Organisation; they prostitute the honour of a State and call it Competition.

And this is America. We fought Lexington to free ourselves; we fought Gettysburg to free others. Yet the yoke remains; we have only shifted it to the other shoulder. We talk of liberty--oh, the farce of it, oh, the folly of it! We tell ourselves and teach our children that we have achieved liberty, that we no longer need fight for it. Why, the fight is just beginning and so long as our conception of liberty remains as it is to-day, it will continue.

For we conceive of Liberty in the statues we raise to her as a beautiful woman, crowned, victorious, in bright armour and white robes, a light in her uplifted hand--a serene, calm, conquering goddess. Oh, the farce of it, oh, the folly of it! Liberty is not a crowned goddess, beautiful, in spotless garments, victorious, supreme. Liberty is the Man In the Street, a terrible figure, rushing through powder smoke, fouled with the mud and ordure of the gutter, bloody, rampant, brutal, yelling curses, in one hand a smoking rifle, in the other, a blazing torch.

Freedom is not given free to any who ask; Liberty is not born of the gods. She is a child of the People, born in the very height and heat of battle, born from death, stained with blood, grimed with powder. And she grows to be not a goddess, but a Fury, a fearful figure, slaying friend and foe alike, raging, insatiable, merciless, the Red Terror."